The camera feels like less of a problem than in previous Dark Souls game, but since death comes so easily, its quirks are still frustrating.Įnemy design is more diverse than ever long-haired skeletal spider people sucked my face off, fire witches reduced me to ashes from a hundred yards off, and the icy quadrupedal Irithyll knights chopped me up into a big bowl of frosted flakes. About four times, a pillar or wall got stuck between my vision and my character. If I died, it was usually because I rushed into the fray too soon or wasn’t properly outfitted-though the camera did get me killed a few times. But every swing and dodge roll is still an uninterruptable commitment, and shields haven’t lost their importance, so with enemies rushing from every side, quicker attacks are an exciting, necessary addition. Dark Souls 3 sets up even more chaotic arenas throughout and accommodates with attacks that execute much faster than prior Souls games, shifting the focus to improvisational crowd management. In this instance, I could light up a gunpowder barrel with my pyro’s fireball, skirt the edges of the arena to take out the smaller enemies, and then focus exclusively on the spellcaster. With a lot to deal with at once, and very early on, I noticed myself prioritizing enemies, studying the arena, and dipping into my deep arsenal more often than before. Instead of a few undead soldiers, I regularly ran into, for example, 10 armed undead villagers, a corpse dog or two, and a beefy spellcaster. Because so many more enemies can appear on screen than in previous Dark Souls games, extremely cautious play is rewarded.

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